It is kind of disappointing that women only get important missions when they’re destined to be a love interest and that other women only get good moments when they have other women to speak to, but I’ll take what I can get. The transition from “Manhunt” to “The Emissary” is a sharp turn in quality that probably–more than the upcoming Season 3 opener–marks the show’s change in quality.
I’m sure it’s just a coincidence those episodes aired on either side of the abysmal Star Trek V: The Final Frontier.
Pulaski had that straight, but I admit; that flourish was 100% Spiner.
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